The Art of Poetry No. 92 (Interviewer)
“The thing that was magic about it was that once you put down one word, you could cross it out. . . . I put down mountain, then I'd go, no—valley. That's better.”
“The thing that was magic about it was that once you put down one word, you could cross it out. . . . I put down mountain, then I'd go, no—valley. That's better.”
“A ‘truth’ detached and purified of pleasures of ordinary life is not worth a damn in my view. Every grand theory and noble sentiment ought to be first tested in the kitchen—and then in bed, of course.”
Our life stories are scary and droll,
Like masks children wear on Halloween
As they go from door to door
I sharpened knives
All night.
To welcome you
In my spiderweb
You got caught,
My precious.
Children’s fingerprints
On a frozen window
Of a small schoolhouse.
Bald man smoking in bed,
Naked lightbulb over his head,
The shadow of his cigar
Sat up
Like a firecracker
In bed,
The name of a girl I once loved
Flew off the tip of my tongue
In the street today,
You’ve been paying visits
To that hunchbacked tailor
In his long-torn-down shop,
It pains me to see an old woman fret over
A few small coins outside a grocery store—
How swiftly I forget her as my own grief
I’m the uncrowned king of the insomniacs
Who still fights his ghosts with a sword,
A student of ceilings and closed doors
Bad luck, my very own, sit down and listen to me:
You make yourself scarce for months at the time
Making preparations for some new calamity,
The long day has ended in which so much
And so little had happened.
Great hopes were dashed,
That was the year the Nazis marched into Vienna,
Superman made his debut in Action Comics,
Stalin was killing off his fellow revolutionaries,
The truth is dark under your eyelids.
What are you going to do about it?
The birds are silent; there’s no one to ask.
Neon at sundown, early shadows
Going to meet the one and true darkness.
Avenue where I was a child in a shoe box,
This couple strolling arm in arm
Must be figments of someone’s revery.
They stop often to linger over a kiss,
Slowly, the summer was ending with a shower. We were
Not given to conclude our travels. We remained forgetting
That night they all gathered on the highest tower:
Astronomers, mathematicians and one magi from Syria
O light, unsayable in your splendor.
A lot of good you did to me.
We were inmates of an orphanage in Kraków;
A prison in Panama;
A school for the blind in Genoa.
Between Something and Nothing you chose that which in
truth is Nothing!
For whom are you intended, wine in the corked bottle?
Through whose veins will you send your merry little flame
What’s the reason for your sudden laughter, butcher,
while you stand next to that which only a moment ago was
living, peeling her skin off as if it were an expensive dress
The mouse is golden,
and so is the turtle, and the spider,
someone who in that instant
is preoccupied with thoughts of suicide
is forced by nature’s call
It’s raining, it’s pouring,
And your heart is sad,
But you’re not about to say it.
An old dog afraid of his own shadow
In some southern town…
The story told to me by a woman going blind
Philosophers practicing their scissor-clips
In the dark,
So everything comes out
There’ll be nothing but infinite space.
The silence supreme, the silence almighty.
Bright sky. Many stars.
On a morning otherwise sunless,
Strolling arm in arm
Past some gallows-shaped trees
Teeth-marks intact.
She tied a red ribbon
Halfway between
We played war during the war,
Margaret. Toy soldiers were in demand,
Very peaceful, except,
There’s a faint moan
And of course, Philemon, who’s about to die
laughing
At the sight of an ass eating figs.
only its maternal dark
could make us luminous.
and you shudder
as you realize it’s only you
Circle of suffering,
Of madness.
I rattled off the dates
of wars and revolutions.
I rejoiced
on the watch-chain
of our insomnia
it sits howling
time enough to feel
its just weight
to imagine its blinding clarity
bent as I was
intently
over the particular.
the fundamental equation
of an empty street
in a rundown neighborhood