And that you hold the same one hawk each day I pass through my field
up. And that it
may choose its
spot so
freely, from which to scan, and, without more than the wintry beguiling
wingstrokes seeding
the fields of air,
swoop. It feeds. There is no wasteland where the dead oak
lives—my
darling—up-
start vines on its trunk, swirling in ebblight, a desert of gone-silent
cells—where another force is
gleaming—tardy—
waning—summer or winter no longer
truths, no prime, no
year, no day where sun
exists—
just a still-being-here in this small apparently silent multitudinous world of
infinite yearning and
killing and
sprouting—even now at the very start of the season—lengthening, in-
visible in its
cracking open of
pod—and push—like the first time we saw each other you and I—
impatient immediately …
Blackness is the telephone wire—blackness the blissless instant-
communication,
the twittering poverty killing behind and beneath and deep at the core of
each screen, end-
less, someone breaking someone’s
fingers just now—hear their laughter—everyone in their prison—there in their human
heart which
they cannot
for all the parting of flesh with
cement-sluiced rubber
hose—and even the axe to the heart—reach—the fantasy of independence—es-
cape. It wants them. It wants them to
fly inside it. Fly it screams
taser in
hand. Prison is never
going to be
Shuang Xuetao
“God’s Arrow” by Shuang Xuetao
The actor Ken Leung reads “God’s Arrow” from issue no. 256 (Summer 2026), written by Shuang Xuetao and translated from the Chinese by Jeremy Tiang—a time-bending chronicle of gods and dogs, mothers and sons, set against the turbulent backdrop of Shuang’s native Dongbei region.
This episode was produced by John DeLore, Dennis Zhou, Lori Dorr, and Hazel Byers. “God’s Arrow” was edited for audio by John DeLore and Dennis Zhou and recorded at the podcast studios at Moss New York.
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