Okay. We’re finished, done. My head careens, heart flops. She clenches her teeth, whirls her back to me, says “Just go. Please? Will you just leave?” I think of my brother’s grave. Looking at her back: I don’t know why the grave’s what popped to mind. Where is it again? Oh yes. On Long Isle. Been a long time. Long time no see we used to say about other things, among other things. What it must look like now. Overgrown like my own head hair. “Then I’ll go then,” she says. Though it’s her house. Her small bright once rented recently bought old stone house. Her child’s inside. Her twelve year old girl and two year old cat. Her furniture and diverse work appurtenances. Her dog, car and garden in back. All I got inside is half a dresser drawer I share with her sheeting and on the washstand my razor and tooth-and shaving brush. Though the garden’s mine in the sense that I rended it from rubble and trash. And have been watering, weeding, singly though not exclusively tending it. Turnips. That’s only one of some twenty roots and legumes I’ve planted there. White radishes another. Two rows of each plant and all ripe for picking now. In fact I’ve picked plenty. Pickled plenty also, as nobody here but me likes them cooked in any of the many ways I’ve learned to prepare them or even sliced thin into salads or cut in half and concaved with a cheese dip in them on a plate of mayonaised carrot and parsnip sticks and other hors d’oeuvres. “Boooo, turnips and radishes,” Linetta usually says. “You and your roots picturesquely heaped up to us in a thousand awful ways,” Mary’s said. Mary’s left. She did say “Then I’ll go then.” But go from her own house? Temporarily she must have meant. But she’s nowhere in sight and I want her to hug me as I hug her and apologize. I think I know what I’ll say. I’ll blame my infantile egotistical outburst and attack on her on the book I’ve been reading which blames just about all of man’s infantile egotistical outbursts and attacks, genocide or any otherwise, on his almost constant repressive fear of death. “Em?” I call into the house.
Anne Carson
I Don’t Do Innocents, by Anne Carson
A special production of Anne Carson’s I Don’t Do Innocents, which first appeared in issue no. 253 (Fall 2025). Produced by the international touring theater company Complicité for The Paris Review, and featuring Carson herself reading the stage directions, this radio play takes place during a wedding party from which the bride is conspicuously absent.
I Don’t Do Innocents
Written by Anne Carson.
Directed by Simon McBurney.
Sound design by Benjamin Grant.
Music composed by Josh Sneesby.
Produced by Tim Bell with Rima Dodd.
Company: Thomas Arnold, Annabel Arden, Emma Corrin, Tamzin Griffin, Richard Katz, Finn Deutsch Kelly, Simon McBurney, and Sarah Slimani.
Stage directions read by Anne Carson.
A Complicité production for The Paris Review.
I Don’t Do Innocents
Written by Anne Carson.
Directed by Simon McBurney.
Sound design by Benjamin Grant.
Music composed by Josh Sneesby.
Produced by Tim Bell with Rima Dodd.
Company: Thomas Arnold, Annabel Arden, Emma Corrin, Tamzin Griffin, Richard Katz, Finn Deutsch Kelly, Simon McBurney, and Sarah Slimani.
Stage directions read by Anne Carson.
A Complicité production for The Paris Review.
Subscribe for free: Apple Podcasts | Spotify | Amazon Music
