Two Studies
How can stone shoulder such scant curiosity, the flesh unpolished
compared to the other, more famous examples of suffering?
Not this one—the sculptor himself cut short of time—
How can stone shoulder such scant curiosity, the flesh unpolished
compared to the other, more famous examples of suffering?
Not this one—the sculptor himself cut short of time—
Your glasses are strafed with sun.
The gravel above where your shoulders touch
detracts from the curve of your wife’s neck.
Soon, next door, the college kids tip their glasses
to the falling stars.
Miss Bloodworth's hat becomes a figure in memory's contract
as it lifts over water the color of tourmaline.
I remember erecting a screened-in porch
for a house I lived in, the staple gun
all afternoon like a giant mosquito
as she lies there, her flesh cooling, on a table,
what blush easing the furniture of her body
toward the invisibility in a mirror
1.
Max, I lean a photo of Josephine Baker
in this box lined with black construction paper,
It keeps my sight going, in any case, endlessly
across waves of pure, wedding-cake drifts.
We all believed, if anyone,
you’d beat the body’s rudeness
Wearing a plaster corset with a sickle of roses
curved beneath a breast, you are beautiful.
Standing in November (as the dead
Brown color seeps into the land),
In waders and in water, with a red