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Letters & Essays: 2020s

Letters & Essays of the Day

Women Sweeping

By Ishion Hutchinson

The woman in Édouard Vuillard’s Woman Sweeping, painted between 1899 and 1900, is Marie Michaud Vuillard, the painter’s mother. She is tall and stocky, her posture—that slight give of the back to the broom, without bending—marking a nonchalant style of carrying out a chore that routine hasn’t made any less complex. As Madame Vuillard sweeps, her gaze seems to fall on the broom or the floor. We might detect deference or humility in such a pose, but the turn of her head, her face ringed with a whitish glow as if lit by an inner ardor, conveys ease. We cannot see her gaze; we are given only the black slash of her eyelashes, which suggests an almost closed-eye intensity. Madame Vuillard is invested in her work and in herself, though perhaps in this moment she does allow herself to be mildly flattered by her painter son’s attention. The slash also conveys a quiet authority; you know that she need not look up to be heeded.

The Mirror Test

By Melissa Febos

1.

 

always squeeze bread to make sure it’s fresh; but what if the baker won’t let me feel the bread?; you mean to say that after all you are really going to be the kind of woman who the baker won’t let near the bread?

—Jamaica Kincaid, “Girl”

 

In the eighteenth century, “slut’s pennies” were hard nuggets in a loaf of bread that resulted from incomplete kneading. I imagine them salty and dense, soft enough to sink your tooth into, but tough enough to stick. What could a handful of slut’s pennies buy you? Nothing—a hard word, a slap in the face, a fast hand for your slow ones.

A slut was the maid who left dust on the floor— “slut’s wool”—or who left a corner of the room overlooked in her cleaning—a “slut’s corner.” An untidy man might occasionally be referred to as “sluttish,” but for his sloppy jacket, not his unswept floor, because a slut was a doer of menial housework, a drudge, a maid, a servant—a woman.

A slut was a careless girl, hands sunk haphazardly into the dough, broom stilled against her shoulder—eyes cast out the window, mouth humming a song, always thinking of something else.