Fiction of the Day
The House with the Mezzanine
By Dan Bevacqua
I was supposed to middle-man these people into a situation of potential annoyance—if not harassment? Me? The poor kid from Jersey?
I was supposed to middle-man these people into a situation of potential annoyance—if not harassment? Me? The poor kid from Jersey?
These days, he said, I live very simply. In the mornings, at sunrise, I drive to a place I know twenty minutes outside of Athens and I swim all the way across the bay and all the way back again.
Aside from the nights she worked, Miss Adele tried not to mess much with the East Side. She’d had the same sunny rent-controlled studio apartment on Tenth Avenue and Twenty-Third since ’93, and loved the way the West Side communicated with the water and the light, loved the fancy galleries and the big anonymous condos, the High Line funded by bankers and celebrities, the sensation of clarity and wealth.
I felt like a ghost in the green hybrid, driving slowly around Marfa in the dark. It was my first night there: Michael, the caretaker of the residency houses, who was also a painter, had picked me up at the El Paso airport that afternoon and driven me in amicable silence for three hours through the high desert until we reached the little house at 308 North Plateau Street; I remember the address (you can drag the pegman icon onto the Google map and walk around the neighborhood on Street View, floating above yourself like a ghost; I’m doing that in a separate window now) because I had to have my beta-blockers mailed there twice during the residency, pills I take to reduce the vigor of my heart’s contractions, and which have the paradoxical effect of causing a minor tremor in my hand.
It was going on a month that Lilly had been staying with her parents, Bill and Caroline, at their lake house in Vermont. Although Bill had been a full-bird colonel in the United States Army, there was only one commander in that family, and every time I called I could hear her evil whispers poisoning his ear.
Before the flight I was invited for lunch at a London club with a billionaire I’d been promised had liberal credentials. He talked in his open-necked shirt about the new software he was developing that could help organizations identify the employees most likely to rob and betray them in the future. We were meant to be discussing a literary magazine he was thinking of starting up: unfortunately I had to leave before we arrived at that subject. He insisted on paying for a taxi to the airport, which was useful since I was late and had a heavy suitcase.
I could share her when she was alive. When she was alive, her presence was endless, time with her was endless, time was endless. Our mother was very old already, and when we children stopped to think about how long we might live, we thought we would live to be just as old.
I can’t help feeling that other people had better reasons for their breakups than we did. (This is characteristic of me, Drew would say, the way I am always comparing. How can you be happy if you’re constantly measuring your life against the lives of others? And not even examining, he would say.
Edgar had been a theology student, and a bicycle messenger, and a junk-bonds trader, and now he was working on his master’s degree. His new ambition was to become a kindergarten teacher. He felt he needed to have a master’s degree in order to teach in a kindergarten.
My plan was to never get married. I was going to be an art monster instead. Women almost never become art monsters because art monsters only concern themselves with art, never mundane things. Nabokov didn’t even fold his umbrella. Véra licked his stamps for him.
It wouldn’t be fair to call me a snob and my brother trash, but it wouldn’t be far from accurate. He called himself MJ, and I went by Charles. As a child I played clarinet, chess. Our parents bought MJ a drum set, but he wasn’t interested.