The Art of Poetry No. 101 (Interviewer)
“Writers had better not be too cocksure that they’ve got inspiration on their side.”
“Writers had better not be too cocksure that they’ve got inspiration on their side.”
Now is my turn to speak, if I
can claim it, tipping myself forward,
letting my tongue fall with a soft,
an inward, an almost inaudible click.
The haystack’s painting hangs in the Met;
the painting of the haystack, that is,
the one by Monet, not by van Gogh,
Discretion is the very soul of your pants pocket:
first, because your pocket hides whatever you put in it,
Catch! It’s a quarter, right? You got it? Good.
I wake up mornings snug in my bed-puppet.
Not the liveliest in my repertoire,
but wait, it gets better: next is my pants-puppet,
This is a city of bridges,
though the water has mostly fled;
a city of ambitious span
I can hear the prayer echoing inside
my head, but cannot make the chamber speak.
The suspense is exquisite. A twitch at the last step
intimates that year’s particular rapture:
I am singing of something loose in your blood
where it roves without homecoming, never turns back,
Forget the way the flesh beneath the rind
waits with moistened lips for the hovering spoon,
smiling, yielding up each perfect round;
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