The Art of Publishing No. 1, Part 2
“[Gertrude Stein] really needed someone like Virgil Thomson, whom she respected, to sit on her a bit and make her devise some plot.”
“[Gertrude Stein] really needed someone like Virgil Thomson, whom she respected, to sit on her a bit and make her devise some plot.”
On his father: “If I asked him for money, he'd say, ‘Are you going to publish some more of those books that I can't understand?’ And I'd say, ‘Yes.’ And he'd give it to me.”
Sometimes when I am working
In the forest clearing brush from
The hemlocks, a wood nymph approaches
Don’t Try to Explain
The mind of a lover is a labyrinth
of false starts and miscalculations
Remembering Nabokov
A dark damp night and a sudden hatch
of moths has covered the glass of the
The lightest touch
if it is gently giv-
en can yield as much
affection as a deep
Make It Simple
make it so simple a child
of six can understand the
rousing violent controversy and censure
Egon Schiele knew that he was two people
there was no doubt about it Romain Gary
wanted to be two people but he made a
The apparition of these faces in the bough;
Crowds on a wet, black petal.
The apparition of these boughs in the face;
Crowds on a wet, black petal.
you must get well right
away your mistress loves
you and she needs you to
I do not know if you intend to pay any attention to unsolicited contributions to New Directions, but I think the enclosed pieces are the kind of work you want for your anthology. If I am wrong, forgive me,
Pound always set his sights high. Nothing but the best. When I was studying with him at his “Ezuversity” in Rapallo in 1935 he advised me not to waste time trying to write stories. Stendhal, Flaubert, James, Ford and Joyce, he told me, had done all that could be done with the novel. They had finished it off.