The Art of Poetry No. 73 (Interviewer)
“It’s not a love of poetry readings that attracts those who do come to them but theater.”
“It’s not a love of poetry readings that attracts those who do come to them but theater.”
You must get drunk. That’s it: your sole imperative. To immunize yourself from the backbreaking, body-bending burdens of time, you must get drunk and stay that way.
After my friend and I left the tobacco shop, he carefully sorted his loose change; slipped some small gold coins in his left jacket pocket; into the right went the silver pieces; in his left pants pocket, a handful of centimes; and in the right, a silver two-franc piece he inspected closely. I wondered about this odd distribution of coins.
In retrospect it was romantic to be the lonely American recovering from
pneumonia, living in a hotel room with a typewriter
and a sink in a Left Bank hotel in a gray Paris winter.
Who’s there?
Who is it that can inform me?
How is it that the clouds still hang on you?
Do you have a favorite time of day? Favorite weather?
Tell me about your writing process.
Is that so? I would never have guessed.
I’m still here (Ithaca)
the students are back
When I think of all the Annes
in my life they’re all you almost
I shall defeat death
not the old-fashioned way
I can see this poem is intent on being Catholic
though it started out agnostic
The first time I met Wittgenstein, I was
late. “The traffic was murder,” I explained.
He spent the next forty-five minutes
Poetry is to jazz
as literature is to music
as Lake Como is to the Arno River
It was cold where she was going and she was
susceptible to chills. She felt in her pocket
for her pills. She was out of breath
In Iowa, Jim dreamed that Della Street was Anne Sexton’s
twin. Dave drew a comic strip called the “Adventures of Whitman,”
about a bearded beer-guzzler in Superman uniform. Donna dressed like Wallace Stevens
The boy had a group of freckle-faced friends
Who lived nearby. He gave them names, taught them games.
They loved him. He had a sweet nature, sang show tunes
It had taken him long enough but now
He was an American. The years of effort had paid off.
He knew all about the pennant races and the Academy Awards
No gentle way of breaking the news: you turn on the TV
And see the rocket’s red glare: the capsule explodes,
The astronauts tumble down, and the anchorpeople
She went to his head like a double martini at a bar
Where gangsters gather after a hit. She wanted his baby.
They sat at a corner table, quarreling about money,
The happiest moment in a woman’s life
Is when she hears the rum of her lover’s key
In the lock, and pretends to be asleep
I walk into the men’s room at LaGuardia Airport
And the guy standing next to me zipping his fly
Has been dead for thirteen years. I know because
He was one of my professors in graduate school.
But on the screen where your real life is happening
It is always 1938, you are always dancing
The film begins in Venice
As conceived by the dreamer before
He begins his journey, which ends
The question is not how like the animals we are
But how we got that way. We laugh, for what is a suicide note
But the epitaph of an emotion? Few of us die out in the open;
“Work shall set you free:” a sensible sentiment:
Marx would agree: Freud would give his assent:
Yet take those words and put them on a sign
I. In the sixth grade
Eisenhower to go down to South America
And Mrs. Goldman to write on the board,
And then they are there all of the people depressed
Into tattoos or footprints or names plastered
Or carved into wood or wall