The Art of Poetry No. 106
“If you can condense, what remains is more energetic. It can be more explosive.”
“If you can condense, what remains is more energetic. It can be more explosive.”
Let Scott equal “I.”
Scott says, “I
asked my team
to pull your records.”
A human begins
by claiming
to be something else:
a red bird
in a picture book;
a little red
Corvette.
We wanted to tell someone everything
(or everyone something)—
how large and limp
the leaves were
in the half-sun,
but what is “half-sun,”
finally?
What’s to like
if not contrast?
Shadows beneath
the model’s sharp
cheekbones, her ample
yet precise lips.
Don’t worry.
We have armies
of showrunners
No lie!
Need input!
Not ghosting you!
More than a fistful
of stubby green fingers
pushing up through gravel.
Unlikely,
the homelife
of water
The brain has powerful filters
that screen out most
thoughts and images:
Flag lolling
on its pole
like a dog’s tongue.
With us, it’s about
choices.
How many kinds
Rae Armantrout recalls her childhood encounter with Zane Grey’s “Riders of the Purple Sage.”